Emily Wilson's 2017 translation of “The Odyssey” is a million-seller
NEW YORK — If you're among the many readers who learned to love “The Odyssey” through Emily Wilson's 2017 translation, you might be surprised that she's going to translate it again.
“It's a complete retranslation. It's not a revision of the old version,” Wilson told The Associated Press during a recent Zoom interview from her home in Philadelphia, where she is a professor of classical studies at the University of Pennsylvania. “I'm about halfway through.”
Regarded as the first major English-language translation of Homer’s epic by a woman, her book was already a bestseller and a culture-wars flashpoint before the release of Christopher Nolan’s blockbuster adaptation. But she says her translation methods have become more sophisticated and that enough time has passed for her to see some flaws in her work — as an example, she overused the word “slave” when ancient Greek had different terms for different categories of enslaved people. The new edition will be longer, she says, and will better reflect the differing social worlds of Homer’s poem.
Fiction writers and poets, from Henry James to Walt Whitman, have revised and reissued early works. But translators rarely start over on a full-length text — especially not within a decade of the original work's completion, and not when the translation has had the success of Wilson's “Odyssey.”
“I can’t really come up with a previous example of this situation,” says Kate Deimling, who oversees the literary division of the American Translators Association. “It’s not unheard of for translators to go back and make some corrections or edits in subsequent editions, but that’s not the same as a retranslation.”
Asked how her publisher responded, Wilson says her decision was “very controversial.” She says she’s “very much aware” that having two recent editions by the same translator would be a challenge for teachers, and hopes they won’t “curse” her name. Her editor at Liveright Publishing, Peter Simon, said in a statement that since she “has poured so much of her life and scholarship into ‘The Odyssey’ … her new approach is bound to be thrilling.”
Fame was of prime importance to the ancient Greeks, and Wilson is the rare classical scholar who has firsthand knowledge of a public life. Wilson's 2017 translation was praised by many critics for making “The Odyssey” feel more modern and accessible, but also faced criticism online for making the story “woke.” Her “Odyssey” has now sold more than a million copies, and Wilson has again become a reason to argue.
Nolan had cited her translation and its opening sentence, “Tell me about a complicated man,” as inspiration for his epic film. Wilson, who says she will “probably” leave the line unchanged in the next edition, did not return his admiration. In interviews with the AP and other media outlets, and in an assessment for the London Review of Books, she called the movie grandiose and superficial, and at times incoherent.
Her reaction to the film has been extensively — even obsessively — defended and denounced, including by Joyce Carol Oates, who faulted her “haughty superiority.” Nolan has yet to respond directly, although, while being interviewed by podcaster Zhong Shu, he did speak out against “amateur criticism” for lacking the cinematic background essential for understanding the language of movies.
Wilson's current prominence aligns with the release of her new collection of essays, conceived well before Nolan's movie came out: “Crossing the Wine-Dark Sea,” a book that arrives Tuesday with blurbs from Salman Rushdie and “Song of Achilles” novelist Madeline Miller. It features a long section on translating “The Odyssey,” with tough assessments of modern editions by Daniel Mendelsohn and the late Robert Fagles. Other chapters take on the “slut-shaming” of Helen of Troy, offer tribute to the Roman poet Catullus and point to how some of the most famous words ever spoken by Robert F. Kennedy — his quoting Aeschylus in the aftermath of the Rev. Martin Luther King's assassination — echoed author Edith Hamilton's mistranslation.
During her interview, Wilson also discussed her feelings about celebrity, her disdain for Rick Riordan's “Percy Jackson” books (Riordan, through a spokesperson at Penguin Random House, declined to comment) and her renewed appreciation for Stoic philosophy.
This conversation has been edited for brevity and clarity.
WILSON: I was going for the ancient idea of “enargeia,” vividness, that sort of emotional impact, emotional directness, the narrative pacing, the sense you can fully understand how does this character feel every time she or he is speaking.
WILSON: Part of the theme of the book is not just that we make mistakes — maybe we can fix them — but that the particular kinds of mistakes those scholars and translators and popularizers or teachers like Hamilton make are very much determined by their own time. Obviously, I make mistakes, too. I’m obviously going to come to Homer and to the whole of antiquity with particular preoccupations which are going to be different from the preoccupations of a Homerist or a translator some 50 or 100 years ago.
